◆ SpookStack

eee “Sexual homicide is an act of control, dominance, and performance that is representative of an underlying fantasy embedded with violence, sexuality, precrime behavior, although they can recall how they murdered. They state they found themselves in a compro- mising situation, and they reacted with explosive rage. (“She was screaming and | strangled her.") These killers usually described a spontaneous murder. The vagueness of the crime continued with subsequent murders: however, the men are aware that they will kill again. Phase 2: Committing the Murder Selecting a victim begins the acting-out level for the murderer with a conscious fantasy. The offender may have a list of criteria for choosing a victim, and many murderers are known to seek out the right victim. A delay before killing the victim often implies conscious planning and re- hearsing of the fantasy. In these cases, the murderer often held an elaborate fantasy, laced with violence, aggression, torture, and sexuality, which also included the fate of the victim. The history and circumstances of the victim are often important to the offender’s fantasy. The victim may be symbolic of someone in the offender’s history, aS in one case where all the young women killed were symbolic of the offender's sister for whom he har- bored great jealousy. Certain actions of the victim may also trigger the fan- tasy. One murderer, who selected his victims through hitchhiking, said, “She was playing up the role, the big beau- tiful smile and getting in the car which was kind of tragic but she had adver- tised to get blown away.” For the murderer without a con- scious fantasy, a certain person or sit- uation may, for example, cue in a strong belief of an unjust world. The offender feeis unfairly treated, and this sets into motion the justification to kill. As one murderer said, “I couldn’t perform sometimes. Some- body made fun of me and | blew my stack.” Killing the victim moves the of- fender to another level of the fantasy. At this point, the reality of murder comes into play. The victim may not die the way the offender planned. The offender might have to use more vio- lence, he may feel more frightened than anticipated, or he might be star- tled by the fact he feels excited. Some murderers are exhilarated— they broke the rules, they killed. Some will kill again, while others will, in horror over what they did, turn them- selves in to the police. During this phase, murderers are also confronted with the reality of a dead body. There is no such thing as killing with impunity—there is always some response. Some murderers re- spond by covering the body, washing the wounds, or otherwise caring for the body, a response that exhibits re- morse or concern for the victim. Some murderers hide or bury the body, raising some questions about their motives. One reason for hiding or burying the body is to keep the secret and maintain control. Other mur- derers openly display the corpse ina public area, hoping the display will shock and offend society. Some murderers need to believe that they will not show any concern for the victim. The actual murder goes beyond their fantasies of that killing. One murderer described his height- ened excitement when driving his car with the dead bodies in the trunk. There is confirmation and reinforce- ment of the fantasy and pleasure or triumph in the power of the kill. These killers may torture and then kill, or kill and then mutilate the body. and death.” The power of the fantasy during the murder is illustrated by one fetish burglar. He killed his victims only when he was interrupted, but not be- cause he was afraid of being identi- fied. He was acting out an intense fantasy, and the unexpected interrup- tion made him furious. He acted on this rage and felt justified in the murder. Phase 3. Disposing of the Body After committing the murder, the offender must decide what to do with the body. If this confrontation with re- ality has not been anticipated, the murderer may give himself up to the authorities. As one murderer said, “It blew my mind killing those people. | wasn't ready for that. The fantasies were there but | couldn’t handle the death trip and dead bodies. | freaked out and gave myself up.” It is unclear why some murderers just leave the body, while others use elaborate methods of disposing of the body. One offender who described his internal dialog as he confronted the body of his first murder victim said, ‘‘! got a dead body on my hands. People see me come in here. How am | going to pack this out? Am | gonna put it in a double bag or sheet and carry it out of here? | figured the smaller the better. | chopped it up .. . stuffed some in the refrigerator . . . dumped guts in vacant lots throwing pieces here and there what ever came out of the bag first... | was scared.” In a second case, the murderer described a planned dismembering of the body after killing the victim in a car. He then carried the body in a