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was infuriated at the female judge who sentenced him to a residential fa- cility, and he continued to rape when on leave from the facility. The rape fantasy escalated to include murder when there was a threat to this power and control. ie., his detection. One rape victim was killed because she showed some assertiveness by run- ning away, even though she had said she wouldn't tell. The murderer re- vealed his fantasy for total control when he said, “When | think she is going to tell, ! know | have to kill her.” He raped and murdered four more vic- tims. Some of the murderers in our study did not report fantasies ina conscious way. Instead, they often described states of dysphoria, such as they were not feeling well, they were depressed, or they had been drinking. These descriptions often revealed an underlying stress that may have been based in their fantasy. The following is an example: Subject: “It was the same as with the other one. | had been drinking at the bar. | don't even remember leaving. | don’t know what made me kilt her. | don’t even know why | raped her. | had a good looking wife at home. | saw her get into her car and | walked up and got in the car with her, yelled at her, took her down there where | raped her. | kept telling her | didn't want to hurt her but | just started choking her.” We suspect that these offenders were preoccupied with a kind of inter- nal dialog that sustained anger, dis- content, irritability, or depression. Drinking or drugs are attempts at moderating the internal stress, yet the fantasy continues. These offenders are unaware of how much internal dialog they experience. For example, when chastized by a teacher or boss, these offenders talk to themselves about it—‘If | ever got that son of a bitch I'd rip him apart; I'd smash him up.” One offender, after performing poorly in the service and being intimi- dated by his sergeant, went a.w.o.l. on a drinking binge. While out on the street, he beat a drunk to death after the man grabbed at him. The offender felt justified in his actions and was un- aware of the intensity of his rage or the impact of his blows. He then beat to death a second man. Finally, he abducted a female acquaintance. When he awoke the next morning, her dead body was beside him with a broomstick impaled in her vagina with such force that it had penetrated her lungs. Although he believes he killed her, he has no recollection of the inci- dent. He even helped the police look for her. Most people are aware of their fantasy life in terms of making pic- tures and carrying on dialog. When people report hearing voices, it is most often an hallucination. It is often described as either a voice from the outside or as someone transmitting thoughts into their mind. Something is in their heads of which they are con- sciously aware but they believe it is in the control of someone else and that they are the passive victim. The fantasy of the serial murderer is a separate, distinct reality. It is vi- brant and vital, distinguishable from the “other” reality of the social world. The offender believes he can move from one reality to the other, that ideas generated in fantasy are viable. No fantasy thought is ever seen as abnormal. For example, one murder- er’s fantasy involved an exceptionally good sexual experience, and when the woman’s behavior did not match the fantasy, he became enraged and killed her. Fantasies provide a sense of control to the offender. For the serial murderer, they become obsessions. Efforts are made to improve the fanta- sy's weak areas, and once this is ac- complished, the offender moves to gain access to a victim. The symbolic figure in the fantasy is replaced with a real person in reality. Phases of a Murder The fantasy underlying a sexually oriented murder drives the offender’s actions through various phases of that murder. The act of murder has at least four major phases, including: 1) Antecedent behavior, which includes the motives and planning or thinking about the murder; 2) the murder itself, including gaining access to the victim and carrying out the crime; 3) disposal of the body; and 4) postcrime behav- ior, including reaction to the discovery of the body. Phase 1; Antecedent Behavior Murder is a behavioral act. Moti- vations for this behavior include either a conscious fantasy, plan, directive, or reason to kill or a triggering environ- mental cue that activates an uncon- scious fantasy for murder. Murderers who operate primarily on a conscious motivational level usually remember their thoughts prior to the murder. One of the murderers in our study de- scribed his entangled fantasy and per- versions and said, "I had a compul- sion during the day and hoped it would settle down—hoped | could wipe it out drinking.” It did not settle down, and he acted out the fantasy and murdered after leaving the bar. Murderers who are triggered into action by an environmental cue often state that they cannot remember their