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Frank Sinatra — Part 6
Page 38
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CONGESTAID
NASAL MIST
SHOW BUSINESS van tinued
Biol® and his partner, George Browne,
took over the LATSE , 4 union which
controled the peeiectioaiets. Phev then
proceeded fa esbore SU OR 00 prom
the cowardly executives of MIGM, 20th
Century-Fox and Warner Brothers, who
agreed to pay tribute rather than have
the projectionists strike and darken the
theaters.
Bioff and Browne split their take with
the Chicago Mafosi. Apprchended by the
federal government, Bioff and Browne
turned state’s witness and sang. The Chi-
cage hoods were sentenced ta LO years in
the federal penitentiary in Atlanta. After
serving only three years, however, they
were paroled. Who paroled these hoods,
and why is one of the most shocking, un-
explained scandals of tl Truman Ad-
ministration. In 1955, Bioff was blown
to pieces in Phoenix for squealing on his
one-time pals,
More recently, the mob, in order te
recruit exotic dancers for its clubs in the
Midwest, has resorted to the importation
of girls from Canada. Advertisements arc
placed in Canadian papers stating show-
gitls are wanted for night clubs and
theater engagements, “no experience
necessary.”
Girls who answer the ads are told they
will have to join AGVA, the American
Guild of Variety Artists. They are then
shipped off to so-called night clubs in the
Midwest and forced inte prostitution.
Here, for example, from the repart of
the McClellan Committee, is what hap-
pened to two Canadian girls who an-
swered a “showgirl” ad in the Montreal
Star,
“They were signed up for AGVA
inembership and signed contracts for em-
ployment at the notorious Band Box in
Hurley, Wis., without any knowledge of
the true character of the place. They
were promised stardom in the U.S., $100
per weck and safe lodging .. .
“During their frst night at the Band
Box, they observed girls dancing in the
nude. They were held in literal bondage
by the club operator. A bodyguard stayed
with them 24 hours a day... It was
made clear to them that it was permis-
sible for them to engage in illicit rela-
tions with customers .. .
fter an unsuccessful attempt to es-
cape, they were shipped to Calu-
met City, via Chicago, to work in
the Riptide Club. They were met
at Chicago by Al Holzman, a pro-
curer who sent them on to Calumet
City by taxicab. Knowing they had no
money, he forced one of the girls to live
with him in an ifhcit relationship. Ther
Were threatened that if they tried to es-
cape, they weuld be found by the syndi-
cate before they gat very fur.
“At the Riptide, they found condi-
tions even worse than those at the Band
Box. The club had back rooms where the
girls employed in the club took men for
immoral purposes, They saw girls beaten
Sam Gigncana; He has a prominent place
in Nevada Gaming Board's “Black Book.”
Virginia Hil! Hauser: One-time girl friend
of gunman Bugsy Siegel, killed in 1947.
Bugsy Siegel:, He financed the Flaminge
in Las Vegas by ioans from Mafia gangs.
- up and customers rolled and thrown into
an alley, At the Riptide also, the girls
were held in bondage. They were per-
mitted to go nowhere unless escorted by
one of the four bouncers. .. ."
One of the most knowledgeable men
in this country on the connection be-
tween the underworld and show business
is Jerome Adlerman, general counsel For
the Senate Permanent Subcommittee on
Investigations. At one time or another
Adlerman has cross-examined many of
the major mobsters in the nation,
“What you must understand about
hoods and gangsters and members of the
Cosa Nostra or whatever you want to call
that organization,” Adlerman recently
told me in Washington, “is that these
men are mat intellectuals. They don't
read; they don't study; they don't have
hobbies as we know them.
“Their major extracurricular interests
are broads and beoze. For them, the
easiest path to these two hobbies is show
a a
ce ate
business. Hy saing into the night cfub
business, which is essentially a cash busi-
ness, they find themselves interviewing
singers, dancers, stripluasers, ACITESSES,
Sitting up and drinking with these girls,
discovering new talent—they find that
mast satisfying to the ego. and that's why
they do it. And in a jot of cases you find
that some actresses, not particularly
bright, are attracted to them. Some
women, and I'm sure you know a few in
Hollywood, like to play with fire.
ears ago; 'Adlerman explained, “the
hoods used to own flower shops.
Now they own night clubs and
restaurants. It’s a more interesting
and exciting life, more ‘pleasur-
able. It's led them into the juke
box racket, the recording industry, many
allied fields. A few years ago when we
were investigating gangster activities in
the labor and management fields, we had
a Mr. Robert Lindeloff of Chicago on the
stand, He was in the juke box operation,
and he told us that he'd been called by a
Mr. Joey Glimco of the Teamsters’ Union
and asked to play on all his machines a
tune recorded by a singer named Tommy
Leonetti. We got hold of Leonetii and he
admitted that he was being managed by
aman with underworld connections, but
he wasn’t aware of the fact that the un- -
derworld was pushing.his records.
“I mentioned that,” Adlerman con-
tinued, “to point out that the mob is not
only involved in gambling, narcotics, ©
prostitution, the illegal sale of Tiquor in
after-hour joints, but they've now moved —
into the juke box and recording fields
and many other avenues of show busi-
ness. For example, we know Sam Gian-
cana is the man behind the Lormar
Record Co., an underworld operation in
Chicago.” ”
According to Adlerman, gangsters be-
came interested in show business in the
post- Prohibition days of the 1930s.
SThey had plenty of money from boot-
legging,” he explained, “and they wanted
to invest some of it in pleasurable enter-
prises. So they moved into the night club_
field. They bought in or declared them-
selves in, and thus began their acquaint-
anceship with entertainers. They backed
Broadway shows for their girl friends.
They became silent partners in backing
young hopeful singers. The glamour and
the glitter of show business appealed to
them, and it still does,”
When Nevada legalized gambling and
Bugsy Siegel opened up Las Vegas to his’
fellow mobsters, the gangsters realized
that they needed a constant flow of show
biz talent to attract the public.
That's why txJae Las Vegas ane the
new gambling mecca, Sar Juin, Puerto
Rico, book more top performers than any
other two cities in the world. The big
names of show business attract the play-
ers, and the players make the roulette
wheels go reund and round. Everything
else is incidental.
Parade * Jan. 12, 1964
Pom Hn atm nen thai nprea tt
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