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Desi Arnaz — Part 5

35 pages · May 09, 2026 · Broad topic: Public Figures · Topic: Desi Arnaz · 35 pages OCR'd
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: ewes = ls at, Ya i Tir. Parser ! a'r, Bele i? Bry. Cala Bon... ~ F Tele. ‘Room Mr. Ingram... Miss :Gandy qe “Ina ari Carney’ s recent misadventure on conférmity, there ‘Was 8 sketch called “Your Inoffensive Theater,” which mocked ; | the great television preoccupation with bland, innocuous, in= * "gensate fare, The dialogue wes wretched, but the idea Was } i brilliant. _ More than brilliant, it was born of truth! ~ ‘This milk-sop- trend is evident everywhere in *PV—ini} é ‘ eomedy, which has been crippled by the urge to be inoffensive: ‘fn drama, which has been. diluted to the Point where it's ght Ang for survival. The ranks of cops in robbers’ ‘shows also. felt the sting of “publi sensitivity the other day when a chapter in the Al ‘Capone story on “The Untouchables" sparked a loud protest from ames) v. Bennet, director of: the Federal Bureau. of L What riftiea Mr. Bennett was “the | seene ‘in ‘which a pitson: ‘ ean was depicted as plotting with Capone ashe was being transferred with other prisoners from the Atlanta Peniten- |: tiary’ te Alcatraz Prison in San Francisco’ Bay. “To. picture } honorable and conmareous officers as. yenal and a public in- j stitution like the Atlanta Penitentiary es toadying toa char- |. Mer like Sept a ane unforgivable : : Public - disservice,”. + 2 Bathe SABC, on which the srosrasa was ation’ cor poe [ 0 /s "ae caductheh Arnaz, begetter of. the “The Untouchables”. was BE De esi! u a . +Ridiaw the program, tte only concession to Mr} Benneti yelng | the inclusion , of -ah announcement. which ; noted that nothing in’ the © _ show was “intended to imply ‘any tefiection upon the in- . tegrity of the courageous of- “ficers of the Federal Bureau Of Prisons.” --.- . i. But was ‘even ‘this neces- “airy? Are viewers 50 naive, 50 dense that every ‘action on | HIV must be “spelled out,” just - Les comedian Jonathan Win-- ters found -igf necessary to. Clarify every action; ‘évery - word in the aforementioned - “Your .Inoffensive Theater.” .. | When the word “hungry” was . ey. é mentioned in the sketch, Winters was quick to point out, "We don't mean Hungary, but. ; BrUrn-B-E-F;, no Offense to the. ‘people of Hungary.” +: Pee RS. of The fuss about the. ‘crooked ‘guerd in: the Capone. story | strikes an equally norisensical chord. So much so that we find [| ‘ §| Ourselves in complete sympathy with Producer {rman when whe MAYES fe Go at y*="ewe're getting to the po where $0 be tmpoestble 46. depict the conflict between good and evil, the very core at. . ‘rama, When we portray crooked Ytalians, the Italian people. . ok on Us, When we: riray. crooked Irishmen, the Irish pick | 5 aden’ SBME SU GEE a ey tare we to deny there were crooked guards ‘in the ¢ cy The Washington Post and 7 Times Herald os ‘the Washington Daily News eee _. ‘Phe Evening Star ‘ New York Herald Tribune AY New York Journal-American ; New York Mirror ae New York Daily News - New York Post .. The New York Times it She Worker ' The New Leader ~— "> ‘The Wall Street Journal — eed days of | fipone? If you read the newspapers, you know that we have’ oe a5 today, too- ‘There's good and had in.all things, ae 7 oi Sh Zn Drofgsaions. poe Imporjant, Shing ts that “good, always is that ‘good aa a A 2 3 1961" O84 nine a FEB 8% 1961 aad
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