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Cambridge Five Spy Ring — Part 24
Page 16
16 / 60
Mee Sop gies,
°
s
*.
en
Se : *
_ a aide tt a . ee) . oa a a a you Kr” ee -
NHE* Burgess-Maclean business, having ) Re ath thelr child.” Brydh'e
» by now. bitten cep into.-the : national . ir Ate!
an
t
“Have you forgotten your ite!
together o .f I saw our haphi-.
i «| &° conscience, . is‘ ger of becoming } nes: T Fedoiced tn tees a i:
° :a-kind of national f t in Fay says NE
i ~ as ational. uarry- lor au ors In “Then he went, don't forget,’
; Search of a Auman situation to exploit, (oo and “aleense dK nowt should.
: : alite-dangerous quarry: I wonder if Just been dementia
e curtain went up’ “petinally, In the play, Fay and’
4 Tee go ara and are;
‘Lon Sreneatre last mene? there kipnapped by Iron Curtain:
Ong | a © secon agents, Just like that ; innocenti
. cleans ‘to- appear this year. 8 tothe end..- Doane
‘book——"Mr, Hamish . Gleave "—subtly whitewashed the. , sO : 74
. husband ; Miss Storm's.play now—and not 80 subtly—white-_ JUGGLING °~
oO Washes the wife, -
+: |, Granted ‘that - sO ‘ NOW, no one is going to deny:
. by ne N the right of a dramatien
Maclean Appears crease a purely fictional study of
fan a 8 "Poa y a idealistic traitor and bewildered,’ _
there can be ah ANTHONY HERN tora wife, Nor is it a erline 16 7
eee . : : ". ; a fiction iv & ayIn- .
doubt - in | the: ; : t
minds of the sophisticated traitor husband. She is torn Pathe eat, man \
audiences at the St. James's between his sppeals to join But - i Play 4s tfestly
who “Pay Edwards” really is, him “over there” and her fove based on fact: and what Miss
That the programme carries of England. ‘ stom 1s going —whetber she.
the classic disclaimer “All | Let us look at the facts of the Tf nathy fe pet ls to induce~
characters are fictitious” merely , CA5¢ as they are, and as they foe ey Ed her Audience ent
“prves to proclaim the play's“ appear through ‘the distorting for “Fay Edwar wilo .
urce.” my looicing-glass of Lesley'’s Storm's Relieve ia her) but for Melin
Purther, ~ ex-reporter * Miss : play Not that I think it will dbs
vowa ts
in the play Mrs. “ts
orm has always both profes —_- ~ mot
a fbnal eyes fixed on the head-) "JE PEAY....: | Mrs. Maclean much 00d. ‘
= lines. One of her better plays. - . . But is could do you ,much.
coun :" Great Day,” was based ‘on Mrs. . “At the beginning of the play harm, Miss Storm. :
Toole Eleanor Roosevelt's visit to an Fay, the deserted wite, is -
woe English village. * trying to forget her- traitorous - '
er most successful play, husband (his name ts Bryan)
a on “Black Chiffon,” was about the although his mother tries con
MR modern social problem of shop- ,stantly to remind. her of him?
feta Nfting—it -ran<for two ° ears, «and of her duty to him, Says:
-> made £50000 in film rights, Pay about her husband :— “
| Bo the Muchinh Case. wad ae tale tts, broblom f problem,
+
ia patusz’ » Maclean Case. wat & paul. Bryan alan stray ean ry)
z, . t ee a s x a .
. ,She hag turned a sordid ease ; timena nd whieh be was well pres
Sof esp-onage Qnd treachery nfo pared. $F ar abe -trouble was, 1] |
. an amazing defence of Melinda * was rn .
Maclean—and hed it brought to WHAT ARE THE FACTS ?,'
' the West End under the blessing . Mrs. Maclean’ knew perfectly.
Of Sir Laurence Olivier, at a,.well what her husband was up \
& when this country ts not; -to.. His departure for Russia:
ely to have time. to debate ; may have been sudden qt, was.’
nO Oo ri r 7 “ d # or vophe rar ad
ae sp gO-bebween ‘get.the wife.
INNOCENT? voluntarily to Join ‘her husband.
TES. MACLEAN, mother of [ She at first resists, _ Her hus
three—-in the play isa “Fay | band, she says, 4 § to
dwards™ mother of one—t{s,} her oe Ae ye wd gg
rirayed as an innocent wife: une King. or an oho, Inst!
ifled by the behaviour of her V tively jong period satel tend
bee to "one. Udiy= eon! mptu
Resturp.”.02. 845
~
SPY A ug in a Lane EE BON y GoPets TN YM a Cal Ea tna
WV yh ewe.
a
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