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3 S: a G ePe ne : — "In a series of eleven sccnes, '" Privete Life of the Mester eee! trares + the rise of Hitlerism in terme of : represemtsative Germen people, the micile | and lower classes, the scholars, the -¢ tae ae _.Jeus, the trades people, a Christian Wee “preacher, and finally, some Hamburre -_ an workers who mean to preserve the ideals Rett . of humanity." . This review also reflected thet the sccnes depicted a brutrlly sontemptucus ctor troorer, “4S disingenuous enemy of the refine, a irl sheeiod br S¥ Nazi arrogance, a honey-voiced properendist end a ry . Jewish wife who recognizes some terrible realities. bos | “With respect to ERJ@ RUSSEL FENTLEY, the _ 1952-1953 edition of "Who! o in America" conteing : the following informatio .. owt 7 ro, ? ~ — ° me. ERIC RUSTE SEWTLEY, Afiter, borg Lnelend, | j ‘September 1h, 1916¢’son of PREY and LAURA LYN oe 3. {- - ,Bachelor of setters, Oxford; PFD, Yele; married 1Ad. TLE A - Ny HM} TSCHERNJAKOW; associate professor of zncelish, . “., “: University of Minnesota; free-lance writer for Harpersg¢ . x. 2, . Atlantic,New York Times; advertising editor, the enyon™ BY. Se Review since 19,8; European correspondent of Theater - ‘Meo nt: 5, Arts 1948-1949; guest director, Hedgerow Theater, 1948; aa Guggenheim fellow 1948-1949; author, A Century ef Hero ; Worship, 194; The Pleywright As Thinker, 29467] i BERNARD SHAW, 19473 translator: The Private #2 2 cx the Master Race and other works of BFRTHOLT ENT CTT; az editor: The Importance of Couette eTaLPs Prom The re a Modern Repertoire, 199. * es . ° The files of the Sew York Office contsin my 3" no pertinent information concerning ERI” RUSS*L REYTLMY. 2 i.