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: 8 Hone, $2.50. | 2 By MARJORIE FARBER ‘OM ateet arreere tn ln as a hated yess, wee - '_§ Unguistic reviewer, as an ex- a ” the documentary play af- he pit : j “dhs esi "of the average audience. Brecht ‘is hardly to blame if the average ‘qeudience’s preference for thrills and sentimental catharsis has ariven, te some hizh-minded ve in the hands | : a e ~—Herrenvolk at Home_ A OR THE- MASTER- . Teansloted, _ th an asl Bentley. “The Jewish Wil” of tie boy “Informer,” whose parents fear he will betray them, is moving in the old-fashioned way, but this effect is subordinated to the whole and meant to inspire action rather than pity. To eliminate the spoon-fed ex- - ‘eitements of “plot,” Brecht in- volves the whole German people in his action, ao that suspense is automatically “raised” to the level of society rather than indi- viduals. While I understand that Thomas Mann and others have suggested “lowered” as a better word, Brecht’s assumption is at jeast a precondition for political page cw es Se ee This is 4 clipping from ee. o rad “a ‘ i t 5 ' 1 t a | F ffm ~ KOY Fico 7d - ol of thd: New York times Zor-*’’ tivege qr wae Pec SELSTSC Clipped .t the Set of .. Governnmant. ‘, , = req “ ae ee ee . co 5 ne . = wo - SALONS s i 2S eae I a eI ia, oe Se