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ED te eb! or eo | a co oe $M at wm Le Ab 0 tropes ' a Ad?) AD tunrhrbone “4D Sr oF ao Gt me uta) oe ee ee Oe oe tar FL QT a de da da da ee mee ON AT abe a BS pe "TA we da ot 270 um Phan Be tb, oP was Sa an ar Own prepared a memoraw- andum for thu Bureau entiteed “German Communist /etiviries In The Western Hemisphere." In this memorandum informant stated that tne German«-American Emergency Conferents must be regarded in its organizational set-up mainly as a holding, or a roof crganizations; besides Individual members and memberships also consisted of delegates from other organiza~ tions; among those other organizations, the Gaerman-Americar Laague for Culture and certain branches of the Workmen's Sick and Bensficilel Funds were the main supporters. TyiZormant statec further in this menorandunm tht “the Duct tat tne Germm-smerican League fer Cultura tew the same aims as the German-American hmergencsy Confercenz is apparent from the publication in the German-American of May, 1943," which was set out in thle reference, Tois article stated in part that "the founding of the German-American Learue for Culture in the year 1933 ec Oe staned by the urnraraedeantad hrutal deatrintinn af elas UnpPrececacented OPrULa: ASSpPurvion Of Cll ou WaS Occasloned bag carried out ty} Nazi min Gormany. ‘he burning of the books on May 10, 19353, the eviction of worla-famous German anthora und sslentists, anong them numerous Nobel Prize winners, such as Thomas Mann and Albert Hinstein, (from 1901 to 1927, 2+: Nobel Prizes were given to German scientists), the brutel interference with artistic and scientifie creatici, which in the ficicd of music, for instance, led toe the results that. Germany Tor tne fir.t time in two hundred yeers, hss not even producec # second cless composer, placed us wider the ooligstion +© protoct and to foeter German cultural woluta violated by Laniom, and to combat this Haze: jae Pia .alohta report, H 12/3/43 ' Re: "Peutsach fAmerifanischer : Kulturverband (German-Amertcun League ‘for Culture) LS. Lpo-= }31905- 10 op. & (55)! r ‘ ™ . . i i . 4 - ne m - ne Oe or ee Sao Be ty has - i \U